As far as I can recall, I've never seen a disclaimer about secondary distribution. To get some clarification: 1) is this something relatively new? (As I said, I've been working with pre-80s material.) Or, 2) is it something that goes on material circulated among fans by fans, but not in an organized, published zine? Some of these later acquisitions I skimmed, but I have a few zines that constitute my first published fiction, and since I was 16 at the time and excited as hell to get them I read these cover to cover. Definitely nothing about secondary distribution there. These I won't sell, and I may leave them to a library on my passing.
Thanks for the interest in the fanfic academic studies. More than anything, it was fun for me, as opposed to the vast majority of people in my field, who make these studies a soapbox for political statements. If you want to read a couple of my pieces go to the Internet Review of Science Fiction at irosf.com, click on the archives, and go to the first year of publication. I have one piece in the January issue and another in the March issue; the latter was part of my fanfic study. It addresses Mary Sue characters as a means of showing how producers were using fanfic to understand what their audience's interests were, blurring the line between producer and audience.
no subject
Date: 2017-02-23 06:19 pm (UTC)As far as I can recall, I've never seen a disclaimer about secondary distribution. To get some clarification: 1) is this something relatively new? (As I said, I've been working with pre-80s material.) Or, 2) is it something that goes on material circulated among fans by fans, but not in an organized, published zine? Some of these later acquisitions I skimmed, but I have a few zines that constitute my first published fiction, and since I was 16 at the time and excited as hell to get them I read these cover to cover. Definitely nothing about secondary distribution there. These I won't sell, and I may leave them to a library on my passing.
Thanks for the interest in the fanfic academic studies. More than anything, it was fun for me, as opposed to the vast majority of people in my field, who make these studies a soapbox for political statements. If you want to read a couple of my pieces go to the Internet Review of Science Fiction at irosf.com, click on the archives, and go to the first year of publication. I have one piece in the January issue and another in the March issue; the latter was part of my fanfic study. It addresses Mary Sue characters as a means of showing how producers were using fanfic to understand what their audience's interests were, blurring the line between producer and audience.