Spent, Alison Bechdel
Rivals, Jilly Cooper
Appassionata, Jilly Cooper
All of us murderers, KJ Charles
Never flinch, Stephen King
One day everyone will have always been against this, Omar El Akkad
Unwritten rules, KD Casey


Spent, Alison Bechdel. Her latest memoir/fictionalised autobio, this one significantly more fictionalised than previous (or at least apparently more!) as the DTWOF cast show up as neighbours to the fictional version of Alison (whose personal memoir has become an HBO-like big budget TV show, Death and Taxidermy, that is starting to veer wildly from her original vision) and her pygmy goat-rearing imminently viral partner. I think Bechdel does a great job working in this odd liminal space of fiction and memoir, and it was great to see the DTWOF cast again; Sparrow and Stuart have never been my favourite couple, but I like what Bechdel does with their kid and the younger (now adult) generation. Also, the cats in this are fantastic. I would happily read anything Bechdel did about cats.

Rivals, Jilly Cooper. I was sorry to see she died, because I’ve always loved her books. Sure, after those first golden four (Riders, Rivals, Polo, Appassionata) there were some clunkers, but even in the very murky depths of Score! there were still some golden moments. Anyway. This is not my favourite because I do not like Rupert and I think Taggie could do far, far, better, but it still becomes totally compelling and I find myself strangely concerned about television franchises in the Home Counties. I should track down the TV series that was made of this recently (I should, but given my issues with ever watching TV I will probably not. Maybe if it's on a plane.)

All of us murderers, KJ Charles. Gothic (set almost entirely in Lackaday House, a great name), dodgy family, and murder. Zev is summonsed back to his estranged family only to discover that not only is his former lover, Gideon, now working there, but his cousin Wynn has decided that whichever potential heir marries his young ward will inherit everything; chaos and murder ensue, the house is cut-off by fog (it’s on the moors) and tension mounts. It is perhaps unfair to Charles that any books she writes set largely in a single country house will mainly make me pine wistfully for Think of England, and yet it’s unavoidable; this was okay but in no danger of displacing the earlier book’s hold on me. The writing for our modern sensibilities is a little too evident here (of course the evil ancestor made his pile in the slave trade and of course Zev would then totally repudiate it) , and after the initial set-up I really wanted more tension between the leads. But I still galloped through this.

Never flinch, Stephen King. Holly reluctantly takes up a job bodyguarding a controversial women’s rights figure; meanwhile, someone upset with the outcome of a recent (rigged) court case is killing innocents in the place of the misled jurors. This is entirely thriller, with no supernatural elements that I spotted, and while King is as always excellent on building tension, the book itself doesn’t really work. King says as much in his afterword, where Tabitha told him the first draft didn’t work, and he went back over and over, but was also working on it during hip issues and eventually decided it was good enough. It’s still a competent thriller but it does feel like it was set up for the (admittedly great!) moment where two separately motivated killers scrap over the same victim - the set up looks increasingly rickety the more you stare into it. I still like Holly, but I don’t think I’ll hang on to this one.

Appassionata, Jilly Cooper. I am much fonder of horses than of classical music but this and Polo are still my most favourite Coopers. Starts with Rupert and Taggie in Bogota, where they’ve gone to adopt a baby as Rupert’s too old for them to adopt in the UK (Rupert, still blindingly awful much of the time but once again I will grudgingly admit he has his moments (I think it’s in Rivals that he (as an MP) suddenly votes against the Tory party line on capital punishment and finds himself with all the liberals), is forced to help out at the orphanage to prove his parenting skills and falls for an abandoned disfigured boy that is not the sweetly pretty baby the nuns have picked out for them; they end up adopting both), and then cheerfully charges into the world of classical music via Abby Rosen, a highly strung American violinist who is being exploited and manipulated by her dodgy agent. Abby is also terrible - she’s impulsive, she fails to think about others’ feelings, she bullies people when she’s feeling insecure - but she is compelling and believable, talented, works incredibly hard most of the time (first as a violinist and then, due to events, as a conductor, fighting prejudice and rebellious musicians), and it’s impossible not to feel for her - and she’s only one of an expansive cast. Also has an m/m romance as one of the main three romantic arcs (featuring Marcus Campbell-Black, Rupert’s oldest son, a brilliant pianist, massively lacking in confidence and closeted, terrified that his father will disown him) but many, many more. She is great at having people be self-obsessed, even cruel, and yet also capable of compassion and growth. And I have no ability to assess Cooper’s writing about music but it genuinely makes me want to listen to the pieces her musicians perform in the hope I’ll share her emotional experience.

One day everyone will have always been against this, Omar El Akkad. Part memoir, part indictment of the West and its unobserved idealism, part witness; it’s good and I am glad I read it but it only made me feel worse about humanity.

Unwritten rules, KD Casey. Once again I bravely ford into the uncharted waters of m/m sports romances that are not about hockey. Second-chance baseball romance by someone who obviously loves baseball; this has a lot of good stuff in it (such as interesting, well-thought out characters, who actually feel like sports athletes - there’s good cultural representation, with one hearing impaired Jewish lead and one first gen Venezuelan) but the balance between their first relationship/breakup and the get back together felt too heavy on the past. I have got her other two on hold.